As it was left on Tuesday, I had undertaken a monster EAS shoot that had more complexities that I have sanity. It was a three day shoot that would produce over 90 images, a 15, 30 and 60 second commercials, and grey hair.
The life of an advertising photographer is on par with the metaphorical tightrope walk. It is beyond the balancing act almost to a point of daredevil attribute from the inherent risk. There are many great photographers that gravitate towards different avenues of this medium because, let’s face it, advertising is a very complex dance.
Firstly, I want to thank those that sent over emails or messaged me on FB and Twitter about the new ASU campaign. It was a ton of fun to produce, and when my readers enjoy the shots, it is icing on the cake.
Some photoshoots we love, and others we merely get by….. this is one that I loved that almost ended me. To say that racing is an important aspect of my life would be the equivalent of saying that I enjoy breathing air. I love the speed, the sounds that the cars make at speed, and just for the intention of using the word “speed” in a sentence 4 times, speed. This is why when a phone call came in with a photoshoot at the 24 heurs du Mans in France (better know as Le Mans), I decided that in no way would I turn it down. With this said, I had already scheduled a week in the Caribbean that would get me home the day before I needed to fly to Paris. On top of this I had a photograph in Texas two days after the race. Most people in their right minds would cancel on one of these, or skip the race all together, sadly I am not like most in this regards. In hoping to make life easier while in Le Mans I brought my assistant Mike with me to cover in parts where I needed a break, […]